Current Work | Forces At Play

“Summer Rains”

36" X 22"
acrylic on wooden panel
$1250

“Summer Rains” presents a harmonious convergence of color and form that captures a fleeting moment of renewal. The composition unfolds with a careful balance between abstraction and delicate naturalism, where soft blues, purples, and pinks meld into a layered, textured field. On one side, a delicate branch adorned with blooming pink flowers reaches out, offering a quiet contrast to the carefully rendered roses at the center, their light petals almost luminous against the deeper, swirling backdrop.
This work invites contemplation of transition—the calm that follows upheaval—through its nuanced interplay of movement and stillness. The textured brushstrokes and rhythmic lines suggest the residual energy of a passing storm, while the floral elements symbolize resilience and renewal. It speaks subtly to the broader experience of navigating uncertainty and change, capturing both the fragility and strength found in moments after disruption. The result is an evocative scene that feels at once intimate and expansive, inviting the viewer to find hope and beauty amid complexity.

“Picking Daisies At The End Of Days” emerges from a space where beauty and menace entwine. Against a deep black void, a spectral arch of blue and purple arcs like a fading promise, while red rings pulse above—a quiet echo of urgency. Around these shapes, soft petals and spirals drift, fragile markers of life whispering beneath shadows of pollution and oil’s creeping stain. In this tension lies a story of nature’s resilience, quietly resisting the dark pressing in. It’s a fragile dance—both a lament and a call to witness what lingers at the edge of endings.

"Reflections" emerged from a space where meditation meets memory, where the quiet ripple of water blurs the line between form and formlessness. I worked with layers of organic shapes—foliage, blooms, pulses of color—that seem to breathe beneath the surface, caught in a moment of subtle flux. At the center, a spiral draws you inward, a symbol both ancient and alive, inviting you to consider what it means to truly see and be seen, to confront the echoes held in stillness. This piece is not just about what appears, but what lingers in the depths—a reverberation of thought, nature, and the endless dance of reflection.

"Switchback" reveals a moment suspended between certainty and doubt—a symbol of shifting perspective that quietly transforms the mind's landscape. Against a deep blue expanse, a raised hand emerges like a signal, marked by unexpected touches of orange and yellow, its palm hosting a cube that feels both grounded and mysterious. Nearby, a swirling red spiral pulls the eye inward, weaving through delicate white branches that suggest growth and renewal. Shapes collide and layer, colors converse, inviting a contemplation of change that is both unsettling and necessary. Creating this piece was an exploration of how the act of turning back, rethinking, becomes its own kind of forward motion—a visual meditation on the power and complexity of reconsideration.

A textured interplay of shapes and colors unfolds across the surface, where layers of blue, purple, pink, and orange converge with a measured rhythm. A large circular form, striped in blue and white, stakes its claim near the center, intersecting with bold orange arcs and playful pink polka-dots. This convergence serves as both anchor and invitation, drawing the eye into a deliberate dialogue between order and spontaneity. Nearby, a dark green spiral threads its way through softer blues, grounding the composition with a subtle tension that suggests movement beneath stillness.

Hints of delicate line work emerge from the shadowed upper corner—a faint trace of nature etched softly into an otherwise abstract realm—offering a quiet counterpoint to the vibrant color fields. Reflective graphite surfaces catch the light, adding a layered dimensionality that shifts with the viewer’s perspective, especially when observed through 3D lenses, bridging the gap between two-dimensional paint and spatial experience.
The piece resonates as a visual meditation on absence and presence, alluding to a small but significant linguistic omission that shapes meaning within a specific place. It invites contemplation of the spaces we overlook and the marks—both literal and metaphorical—that define our sense of environment and identity. The resulting composition is at once playful and precise, blending formal structure with a subtle narrative that lingers quietly beneath its vibrant surface.

"Under Stress and Extreme Pressure" unfolds as a striking meditation on transformation through tension. At its core, a multifaceted geometric circle—reminiscent of a finely cut gemstone—commands attention with its precise facets rendered in muted whites, grays, lavenders, and pale blues. This central form, grounded in exactitude, floats amid a restless sea of layered brushwork where blues and greens ripple with subtle hints of pink, suggesting both fluidity and strain. Two understated diamond outlines trace gentle echoes around the focal shape, offering a quiet rhythm that balances complexity with simplicity.
The composition vibrates with contrasts: smooth, expansive strokes blend seamlessly with textured accents, while slender lines in red and green slice through the cool palette, introducing moments of charged energy. This tension of brushstroke and geometry mirrors the delicate interplay between endurance and creativity, a visual allegory for the pressures that shape beauty. In a world defined by rapid change and relentless demands, the piece invites reflection on resilience—the capacity to emerge refined and whole despite external forces. Here, abstraction becomes a space where struggle and grace coexist, capturing the paradox of creation itself.

"Rite of Spring" emerges as a compelling dialogue between nature’s rebirth and abstraction’s boundless language. The composition is anchored by an expansive field of deep blues that ripple across the wooden panels, creating a textured atmosphere where color feels both grounded and fluid. Above, floral forms—an arresting purple iris alongside a delicate white daisy—rise from a structured canvas of leafy greens and flickers of bright orange, suggesting growth and renewal amid shifting shadows. Below, the palette settles into earthier, more contemplative tones where burnt orange and muted browns intertwine with lingering blues, inviting a moment of introspection beneath the season’s surface.
The piece unfolds like a lyrical exploration of spring’s dual nature: vibrant and fragile, familiar yet enigmatic. Abstract shapes weave through this layered environment, their lines and circles offering visual cadence without dictating narrative, allowing emotion and imagination to fill the spaces between. This tension between the recognizable and the abstract reflects the unpredictability of change today—how cycles of transformation are both deeply personal and universally shared. The artwork, rendered in acrylic on wooden panels, asserts itself with confident brushwork and thoughtful composition, blending two creative voices into a seamless whole that honors collaboration as a vital force behind artistic evolution.

"Dream Boat" is a voyage into the unseen currents beneath daily life, where a simple vessel drifts through a liquid dreamscape. The white lines sketch a fragile silhouette, suspended between reality and reverie, while bold, unexpected blooms—like a purple rose and a fiery red star—pulse with quiet energy around it. This piece is as much about the place I call home on the St. Johns River as it is about the deeper tides of existence, where nature and human presence converge in mysterious harmony. The addition of artificial flowers blurs the boundary between the tangible and the imagined, inviting the viewer to navigate a space where surface and depth merge. It’s a meditation on our place in the world—a surreal reflection carried on waves of color, texture, and whispered line.

"Paradise" in situ: The artwork showcases a vibrant composition featuring a botanical theme set against a bright and airy blue background that evokes a sense of sky or water. On the left side, a large, striking flower with elongated orange petals and broad green leaves occupies a prominent position. The petals have a dynamic, almost flame-like shape, which contrasts beautifully with the softer textures of the leaves beneath. Adjacent to this, there is a stylized, delicate tree with thin branches and sparse leaves interspersed with small dark olives or berries, adding an intricate, textured element to the piece. The ground beneath the plants is a lively mixture of warm peachy and sandy tones with abstract patterns and circular motifs in pastel and bold colors—these circular shapes contribute rhythm and visual interest, enhancing the overall composition's vibrancy. The interplay of natural forms with abstract, almost whimsical detailing creates a harmonious balance between realism and imaginative expression.

Use of vivid colors and dynamic spirals effectively conveys an energetic and engaging atmosphere, drawing the viewer’s eye across the canvas and encouraging a sense of exploration.

"Earth on Fire (Lava Flow)" in situ: Use of vivid colors and dynamic spirals effectively conveys an energetic and engaging atmosphere, drawing the viewer’s eye across the canvas and encouraging a sense of exploration. The interaction between the warm and cool tones creates a balanced tension that keeps the composition lively without overwhelming the senses. The textured, layered application of paint adds an interesting tactile dimension, inviting the audience to consider not only the visual impact but the physicality of the medium as well.

"Nice, Matin" in situ: This painting beautifully captures a sense of energetic spontaneity and emotional warmth through its color palette and composition. The bold red creates an impactful emotional vibe that feels both passionate and inviting, while the floral and swirling motifs introduce a playfulness and organic rhythm that balances the intensity. The layering technique and textural variety demonstrate a confident handling of the medium, resulting in an artwork that feels both lively and thoughtfully composed. Also noted, Nice was Matisse's home for many years.

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